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Matthew Wortman
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Dr. Joann Fletchers, an Egyptologist finds three abandoned mummies in a tomb in the Valley Of Kings. She thinks the third mummy is the forgotten legend, once the most powerful woman on earth Nefertiti. With the help of modern day technology and scientists she tries to uncover mysteries surrounding the life of Nefertiti. But is the mummy really Nefertiti?
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罗曼·波兰斯基
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故事发生在一间阴暗人稀的剧院之中，编剧托马斯（马修·阿马立克 Mathieu Amalric 饰）正在为他所改编的剧本《穿裘皮的维纳斯》寻找合适的女主角。接连面试的几位演员都令托马斯感到失望，她们和他脑海里完美的女神形象简直千差万别。面试以一无所获的结局结束了，正当托马斯准备离开之时，一位被淋成了落汤鸡的落魄女郎闯入了剧院。 女郎名叫旺达（艾玛纽尔·塞尼耶 Emmanuelle Seigner 饰），巧合的是，她与托马斯剧本中的女主角同名，可是，旺达粗鲁的举止和浅薄的学识让托马斯在内心里暗暗的否定了她。令托马斯感到惊讶的是，旺达不仅拥有全部的剧本，还自备了戏服，在旺达的一再坚持下，托马斯同意了她想要试演的请求，并且亲自与她对戏。就这样，在瓢泼大雨之中，一场关于男人与女人、命令与服从的好戏拉开了帷幕。
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丹尼尔·珀西瓦尔,亚力克西斯·卡希尔
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艾丹·特纳(《霍比特人》《波尔达克》)要演大画家科学家达芬奇了。他将主演新剧《列奥纳多》(工作标题，尚未正式定名)，聚焦列奥纳多·达·芬奇在意大利文艺复兴时期的生活和作品。 这是一部英语剧，Frank Spotnitz(《X档案》)任运作人，Steve Thompson(《神探夏洛克》)编剧，Daniel Percival(《高堡奇人》)执导，Lux Vide和Big Light Productions等是出品方，意大利国家电视台(RAI)等也参与。共8集，今年内开拍。
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卢克·沃森
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神秘组织强迫小伙去偷里奥的笔记本，小伙化名托马索进到画坊拿到了笔记，可他临时改变主意不想出卖里奥。笔记本被彪形大汉抢走，里奥与好友前去调查时，托马索暴露女孩身份。托马索说出自己叫丽萨，为了学画画才来到佛罗伦萨，里奥与好友洛伦佐、迈克答应为丽萨保密身份。洛伦佐告诉父亲皮埃罗城里有奇怪组织，殊不知他的父亲就是抢走笔记本的主谋。
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Jonathan Dimbleby
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After four decades of reporting from the continent, Jonathan Dimbleby returns to Africa on a 7,000-mile journey to discover how it is changing. 【Mali, Ghana and Nigeria】 He starts his African journey in the capital of Mali, Bamako, the fastest-growing African city. Following the course of the Niger river, Dimbleby finds not a continent of beggars but of industrious people, some of whom go to extraordinary lengths to make a living, free-diving 20 feet to excavate building sand. Travelling north-east, he sees how tradition is preserved in an area where a sophisticated urban society has thrived for 1600 years. Jonathan gets his hands dirty as the apprentice of a 74-year-old mud mason in Djenne, a town built entirely of mud. In Ghana, one of Africa's freest and most stable countries, Jonathan sees a spectacular festival before playing a game of golf with the King of the Ashanti, who recalls his time working for Brent council. Dimbleby attends the King's court to see what lessons the UK can draw from traditional African structures that promote harmony and reconciliation. Jonathan discovers that the African brain drain is turning into a brain gain as economic opportunity and patriotism draw people home. Football unites Ghana like nothing else, superseding political and tribal divisions. There is a rich seam of young football talent on the continent in the year that the World Cup is hosted by an African nation for the first time. In Lagos, Nigeria's business capital, Jonathan Dimbleby sees a different take on a city that is often depicted as a hotbed of violence, crime and corruption. He is taken on a private jet by Africa's richest man, then savours the creative talents of two of African music's rising stars who are helping to cement Lagos's place as the continent's cultural hub. 【Ethiopia, Kenya and Tanzania】 On the second leg of his illuminating journey across Africa, Jonathan Dimbleby travels 2000 miles through East Africa's Rift Valley. Starting in Ethiopia, where he was the first journalist to report the 1973 famine, Dimbleby discovers the great strides being made to safeguard the country from future catastrophes. In Kenya he finds out how mobile phones are revolutionising small businesses and even the lives of Masai tribes. In Tanzania he joins in a football match with the judges and guards of Africa's own Human Rights Commission and meets the street kids in Dar-es-Salaam who are building an international profile for their music. 【Congo, South Africa and Zambia】 On the final leg of his 7,000-mile odyssey, Jonathan Dimbleby travels from Congo to Durban in search of the stories revealing contemporary Africa. He learns how China's billion-dollar deals have rebooted African economies, once dependent on Western aid and investment. Passing through Zambia, Jonathan survives a training session with boxing world champion Esther Phiri and meets Hugh Masekela, who shares with him his view of Africa's emerging revival.
